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nicoleinreallife:

heathicorn:



WHAT
corseque:

possumfacee:

Anyone else notice the guitar neck jutting out of the mounds of stuff in Ice King’s “the Past Room”? Definitely strengthens the “Simon taught Marceline music” theory.

Marceline, is it just you and me in the wreckage of the world? That must be so confusing for a little girl. And I know you’re going to need me here with you. But I’m losing myself and I’m afraid you’re going to lose me too. This magic keeps me alive, but it’s making me crazy. And I need to save you but who’s going to save me? Please forgive me for whatever I do when I don’t remember you. 
Marceline I can feel myself slipping away. I can’t remember what it made me say but I remember that I saw you frown. I swear it wasn’t me, it was the crown.
fyeahsophieturner:

It’s important that the costumes reflect each character’s individual journey. I always like to tell a story through the clothes, and I think it helps the actors, too. Sansa is a perfect example of this. She leaves Winterfell for a life at court early in the first season and begins to take on more and more of Queen Cersei’s traits as season one goes on. By the end of the season, she’s really starting to look like her. But in season two, her dresses are destroyed in the first half of the season, and Sansa starts reverting back to her childhood. The colors start coming down, and she’s trying to alter things back to where she was. So at the end of it, she’s wearing something closer to her mother’s look. She’s come full circle. - Michele Clapton (costumer designer) | Inside HBO’s Game of Thrones
lavenderlullabies:


Sophie Turner photographed by Kristin Vicari for Nylon 

Naturally, Sophie looks gorgeous